Аккорды, песни, текст, табулатура

The Beatles — The Long And Winding Road

Tuning - drop D (D A D G B E)

 Keycode - (letter) - section name

           h - hammer on

 ..........A - artificial harmonics (see Appendix)

 Roadmap:  Play as follows  A  A`  B  A``  C  A`  D

 Section A and A` are the same except measure 9.

 Section A`` is played using artificial harmonics. If this is too difficult,

 play Section A.

 Section D is the ending that is entered after measure 11 of Section A`

 **  Section A  **

 Start with a pick-up measure (measure #0)

 Measure #1: B note is fretted instead of open B so that F#, D and B can ring.

 If difficult, use open B.

 Measure #2: Whatever the chord is, it sounds good

 Measure #3: You can slide your pinky from 5th fret to 3rd fret on D string

  |     |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |

 -2---|-3---2---------0-|-------------0---|---------0-1---0-|-----------------|

 -----|-0-------3-------|---1-1---1-1-----|-3-----3-0-------|-----1---0-------|

 -----|-0---------4-----|---0-0---0-0-----|-----4---0-------|-------------0---|

 -----|-----------------|---0-0---0-0-----|---5-----3---3---|---2-----------2-|

 -----|-----------------|-----------------|-----------------|-3-----3---3-----|

 -----|-2---------------|---0-0---0-0-----|-5---------------|-----------------|

 Measure #5: x2x032 chord is fingered xIx0RM (index on 5th, middle on 1st, and

 ring on 2nd strings) - a little tricky

 Measure #7: the number in () may be added.

  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |

 -----0---2-3-----|-0---------------|-------------0---|-----------------|

 -----1---3---3---|---0-------------|-----1---3-----3-|-3-----3-1---3---|

 -----0---0-----4-|-----0-----------|-----0--(5)------|-----4----(2)----|

 ---2-------------|---------2-------|---2--(0)--4-----|---5-------3---5-|

 -3-------2-------|-----------2-----|-0-------5-------|-----------------|

 -----------------|-2-----------2---|-----------------|-5-------3---5---|

 Measure #11: G note is fingered with pinky

 Measure #12: G note is fingered with index

 (there are other possibilities - you can play D7 in Meas#11 on 5th pos)

 Measure #12: The last note F# is a pick-up note and is not sometimes played

  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |

 -----0---2-3-----|-0---------------|-----0---2---3---|-3-------3---2---|

 -----1---3---3---|---0-------------|-----1---1-------|-------0---------|

 -----0---0-----4-|-----0-----------|-----0---2-------|-----0-----------|

 ---2-------------|---------2-------|---2-------------|---0-------------|

 -3-------2-------|-----------2-----|-0---------------|-----------------|

 -----------------|-2-----------2---|---------0-------|-5---------------|

 **  Section A`  **

 Measure #9 is the only difference from Section A so I repeat Measures #9 - 12

 only

  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |

 -----0---5-3---23|-0---------------|-----0---2---3---|-3-------3---2---|

 -----1---3-------|---0-------------|-----1---1-------|-------0---------|

 -----0---0---0---|-----0-----------|-----0---2-------|-----0-----------|

 ---2-------------|---------2-------|---2-------------|---0-------------|

 -3-------2-------|-----------2-----|-0---------------|-----------------|

 -----------------|-2-----------2---|---------0-------|-5---------------|

 **  Section B  **

 Repeat this twice for Section B

 The timing is a little funny; I think I`ve added extra beats. If you like

 to be "true" to the Beatles, take out a few notes here and there :-)

  |   .   |   .   |   .   |   .     |   .   |   .   |   .   |   .

 -5-5-5-----------5-----------0---|-5---3---0-----------------------|

 ---------------------------------|-5-----------0---------------0---|

 -------------0-------------------|-------------------------0-------|

 -0-------0-4h------------0-------|---------4-----------4-----------|

 ---------------------------------|-3---------------3---------------|

 ---------------------------------|---------------------------------|

  |   .   |   .   |   .   |   .     |   .   |   .   |   .   |   .

 ---------------------------------|----------------------------(2)--|

 -0---3-----------------------3---|-3---1---------------------------|

 ---------0---------------0-------|-2-------2-----------------------|

 ---------------------0-----------|-------------0-------------------|

 -2---------------2---------------|-----------------0---------------|

 ---------------------------------|-0-------------------------------|

 **  Section A``  **

 In this section, the melody is played entirely using artificial harmonics (as

 indicated by A after the number). See Appendix for artificial harmonics. Note

 that sometimes bass notes are staggered so the harmonics can be heard. I

 chnage things around and this is just an example of how you could do it.

  |     |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |

 -2A--|-3A--2A--------0A|-------------0A--|---------0A1A--0A|-----------------|

 -----|---------3A------|---1-1---1-1-----|-3A--------------|-----1A--0A------|

 -----|-----------4A----|---0-0---0-0-----|-------4---------|-------------0A--|

 -----|-----------------|---0-0---0-0-----|-----5-------3---|---2-----------2A|

 -----|-----------------|-----------------|-----------------|-3-----3---3-----|

 -----|---2-------------|---0-0---0-0-----|---5-----3-------|-----------------|

  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |

 -----0A--2A3A----|-0A--------------|-------------0A--|-----------------|

 -------------3A--|---0A------------|-----1A--3A------|-3A------1A--3A--|

 ---------------4A|-----0A----------|-----------------|---4A--4A--2A--4A|

 ---2-------------|---------2A------|---2-------4-----|-----5A----------|

 -3-------2-------|-----------2A----|-0-------5-------|-----------------|

 -----------------|-2-----------2A--|-----------------|-----------------|

  |   |   |   |     |   |   |   |     |   |   |   |     |   |   |   |

 -----0A--2A3A----|-0A--------------|-----0A--2A--3A--|-3A--------------|

 -------------3A--|---0A------------|-----------------|-----------0A----|

 ---------------4A|-----0A----------|-----------------|---------0A--0A--|

 ---2-------------|---------2A------|---2-------------|-------0A--------|

 -3-------2-------|-----------2A----|-0---------------|-----------------|

 -----------------|-2-----------2A--|---------0-------|-5---------------|

 **  Section C  **

 This is the part where strings come in. Sustain notes as much as possible and

 make guitar sounds like string section ;-P

  |   |   |   |     |   |   |   |

 ---------0-----0-|-2-----2-3---5---|

 -3-----3---------|-----3-----------|

 -----0-------0---|-----------------|

 ---4-------4-----|---4-------------|

 ---------0-------|-2---------------|

 -5---------------|-----------------|

  |   .   |   .   |   .   |   .     |   .   |   .   |    .   |   .

 -10----------10--12----------12--|-14----------14--15-------17------|

 -----7---8-----------------------|---------12-----------------------|

 -0-------------------11--12------|-----11---------------------------|

 ---------------------------------|-0--------------------------------|

 -----------------0---------------|----------------------------------|

 ---------------------------------|----------------------------------|

 **  Section D (end)  **

 This is the CODa section, and you come here after you play measure #11 of

 section A` (or A).

 Measure #4: Artificial harmonics again. If you prefer, just omit "A" and fret

 as numbered.  I finger this chord by using ring finger to hold 5th AND 6th

 strings.

 Measure #5: Yes, this single note can make or kill the tune. Get a clear tone!

  |   .   |   .   |   .   |   .     |   .   |   .   |    .   |   .

 -3-------2-------------------0---|----------------------------------|

 -0---------------3---------------|-----1---1-------1----1-----------|

 -0-------------------4-----------|-----0---0-------0----0-----------|

 ---------------------------------|-----0---0-------0----0-----------|

 ---------------------------------|----------------------------------|

 -2-------------------------------|-----0---0-------0----0-----------|

  |   .   |   .   |   .   |   .     |   .   |   .   |    .   |   .

 ---------------------------------|----------------------------------|

 ---------------------------------|--------------------------3A------|

 -0-------2-------4---------------|----------------------4A----------|

 -0-------------------------------|-----------------5A---------------|

 ---------------------------------|-------------5A-------------------|

 -0-------------------------------|-5A-------------------------------|

  |   .   |   .   |   .   |   .

 -3A------------------------------||

 ---------------------------------|| END

 ---------------------------------||

 ---------------------------------||

 ---------------------------------||

 ---------------------------------||

 Appendix: Artificial Harmonics

 To play artificial harmonics, your left hand frets a string as indicated.

 For example, if it says "3A", your left hand actually holds string on 3rd

 fret. There are two methods for right hand.

 (a) classical (I use it here)

 Your RH index finger touches 12 frets above the fretted note. Using the

 same example, your index finger touches 15th fret (3+12), but do not

 fret the string here. Your ring finger (or middle finger) then plucks the

 string and you`ll get harmonics. This takes some practice, so don`t

 despair if the first attempt fails.

 (b) jazzy

 Your RH index finger touches 12 frets as above. But your RH thumb is used

 to pluck the string.

 In (a), your index finger is almost perpendicular to strings. In (b),

 your index finger is almost parallel to strings.

 The choice of (a) or b) depends on what you play: In (a), your thumb can

 play bass notes. In (b), your middle and ring fingers can add hramony

 notes or you can do "harmonic cascade".

 Practice: You can practice this by playing a scale.